Anna Mary Moses spent the last twenty years of her life as a beloved and celebrated artist after a hobby became an occupation in the most astonishing way.
Anna Mary Moses was born when Abraham Lincoln was president and died when John Kennedy was; she lived through one Civil, and two World wars, and was one of the first women in the US to legally vote. Because her life was so full, she didn’t take up painting as her primary hobby until she was in her 70s, and was on a rocketship of world fame as a celebrated artist until she was in her 80s.
Mary Cassatt may be best known for her paintings of women and children, but she lived a long life full of much more: bold moves, societal-norm evasion, adventure, a big family, and a bigger personality.
Mary Stevenson Cassatt was born on May 22, 1844, in Allegheny City, Pennsylvania the fourth of five children of Robert Simpson Cassett and Katherine Johnston Cassett. Her parents were quite wealthy and had a sort of wanderlust approach to residences, moving the family quite a bit, even to Europe for an extended time. Mary grew up multi-lingual, very curious, and very, very interested in becoming an artist.
She was able to begin working toward that goal at 16 when she entered the Pennsylvania Academy of Fine Art in Philadephia and continued when she (with her mama as a chaperone) moved to Paris in 1865 when she was 21 years old. She built her skills by copying masters’ paintings in the Louvre, studying with artists in Paris, and upped her game when she began to be selected to show at the prestigious Le Salon des Beaux Arts in Paris. She continued her education by traveling throughout Europe with friends to study the art of the area, practice, and in one case, complete a commission that made her the Belle of Parma for a season. She never stopped that education.
Mary’s first Salon acceptance, The Mandolin Player, 1868
Mary joined a small group of artists in Paris who were thinking the same thing that she was: there is another way to paint than the one, traditional way approved by the Salon judges. These folks even had a name for their merry band of artists: The Impressionists, and Mary joined them when she was 33 in 1874. Big names now like Degas, Monet, Pissaro, Renoir… while Mary wasn’t the only woman, she was the only American. With the Impressionists, she painted scenes of everyday life (in places where she, as a woman of a certain class, was allowed to go) and, eventually, began the work she is most famous for: women and children.
Mary’s mother, Katherine, reading the newspaper, Reading Le Figaro, 1878Look at the background of this, and the creeper staring at our heroine. In The Loge, 1878This painting caused quite a stir, one of the women’s faces is covered by a cup! Mercy! The Tea, 1880
For her entire life, Mary was always learning, always practicing, and always adapting her art as her mind, her life, and her body began to change. She made the decision to never marry, and (no shock) she had a full life of family and friends. In addition to becoming a world-renowned painter and printmaker, she assisted many people in the role of art consultant, helping them amass their art collections of various styles and artists, and made herself available to advise and support young artists.
Not only did Mary achieve her dream of an art career, she helped others achieve theirs.
One of both of our favorites, Little Girl in a Blue Armchair, 1878Mary was always experimenting with her art, this is part of her print-making era. Woman Bathing, 1891This is the painting that Beckett was talking about that shows a very common Mom emotion. Breakfast in Bed 1897
Mary Cassatt died at her home, Chateau de Beaufresne in Le Mesnil-Theribus, France on June 14, 1926. She was 82 years old. She left behind an enormous body of work, much of which was in private collections and has since been donated to museums around the world.
****SHOWNOTES UNDER CONSTRUCTION, PLEASE COME BACK A LITTLE LATER FOR THE COMPLETE MEDIA LISTINGS****
Time Travel With The History Chicks
Books!
The biggie we used (literally and figuratively) by Nancy Mowll Mathewsby Griselda PollockLittle but thorough, by Georgette GouveiaAnd then we have some coffee table books…this one for The Art Institute of ChicagoCoffee table book by Judith A. Barter and Sue RoeBy William Cane and Anna Gabrielle
Web!
The Library of Congress has a listing of places where you can (virtually) see Mary’s work. We heart the Library of Congress.
There is a lot of information and a collection of (most) of her work at MaryCassatt.org.
Why did we keep saying that Impressionist painting was so radical? Here’s an article about that in The Week.
Very cool resource: Pieces Mary applied to be shown at the Salon in Paris, by acceptance and rejection. Impressionism.nl (and lots of other artists’ work, too!)
And we await a biopic (you know how to pronounce that, right?) let’s get on this film people, Mary had a big personality and lots of life material for a movie!
The line between Georgia O’Keeffe’s childhood in Wisconsin to her death nearly 100 years later is as jagged, complex, colorful, unique, ever- changing and interesting as the vistas outside her final New Mexico homes.
