by Anna Klumpke, Rosa circa 1898, age 76 (That look on her face! Excellent.)
Rosa Bonheur was a wild, animal‑obsessed kid who drew before she could read, and knew she was meant for the world of art from an extremely young age.
She didn’t set out to shock anyone; she simply refused to be anything but herself, and the world eventually had to adjust to her as she climbed to the highest of fame as a painter in the 1800s.
How adorable is this? By Raymond Bonheur, 1826, about age 4by Edouard-Louis Dubufe (with Rosa assist) 1857Ploughing in Nivernais 1849Andre Adolfphe Disderi 1864 (she’s about 42). Also, yeah, she didn’t wear pants all the timeThe Horse Fair, 1852-55Bill Cody by Rosa 1889With Nathalie in Nice, circa 1882 (about 60)Mama Micas, Nathalie, Rosa, and Anna share a tomb at Père Lachaise Cemetery in Paris.Close-up on headstone, translated: Friendship is divine affection. (Susan had the forethought to take this picture when she saw the grave a couple of years ago and thought, “We have GOT to cover her.”)
Registration is now open for our June, 2027 Field Trip to Scotland! Visit Like Minds Travel for information and to register!
Shownotes under construction, come back later for more!
Books!
By Dore Ashton and Denise Browne HareBy Catherine HewittBy Anna Klumpke, translated by Gretchen van KlykePicture book: By Ruth SandersonPicture book by Mireille Messier and Anna Bron Mid-grade, by Sarah Albee and Kaja Kajfez
Here’s some samples of work from the National Museum of Women in the Arts in Washington, D.C…and not just so we could send you there because you should go to that museum because you should, it’s terrific!
Mercy Otis Warren is remembered as the “Muse of the Revolution,” but simply being remembered at all is a testament to her intellect, writing skills, and tenacity.
Mercy was born on September 14, 1728, in Barnstable, Massachusetts. She was the third of seven living children of James Otis, Sr and Mary Allyne Otis. She was descended from Mayflower settlers, and as the oldest daughter in her generation, Mercy’s role in the family was pretty clear: she was going to be relied on to help her mother at home with babies and toddlers. That would, by tradition, simply prepare her for a life as a wife and mother. Period.
Mercy’s older brothers were sent for tutoring, but Mercy was so curious that, with her father’s permission (sigh) and her uncle the tutor’s encouragement (yay) she joined her brothers for lessons. When her older Bestie Sib, James, went off to Harvard, he would bring home his books and he shared his lessons with Mercy. All of this gave her an astonishing education for a woman of the time.
Mercy’s autodidactic education and intellectual curiosity never ceased. She married a man who encouraged and admired both qualities — James Warren (there were four Jameses in Mercy’s immediate family, so that was fun to keep straight.) All of this was during a time in American history when colonists were starting to feel unheard by the British crown that ruled and taxed and taxed…and taxed them. Soon, “Taxation without representation is tyranny” became a common cry among the colonists and their reason for rebellion and, ultimately, revolution.
Both Mercy’s brother, father, and husband were active in the politics of this uprising, and their home was a hub for Patriot leaders to meet and discuss options and actions. Mercy kept up on everything that was going on and soon put her pen to paper to write a satirical play that explained the situation to readers. Published anonymously, only a small group of friends (including John and Abigail Adams) knew that a woman wrote this and subsequent plays and poems.
Through her widely read plays, Mercy illustrated to Colonists the need to turn to revolution to gain their freedom from British oppression. During the Revolutionary War, she wrote even more pieces while raising five boys, often on her own, as her husband, James, was working in the Continental Army. Mercy maintained written correspondence and shared insight with many of the American Revolution’s most well-known leaders as those men turned from battle to the serious business of forming a new government.
Obviously, we get into so much detail in the episode! Mercy’s life is one long argument for the idea that political courage isn’t just found on battlefields or in legislatures; it’s found in writing, in conversations, in friendships, and in the willingness to speak plainly (and loudly) when power grows dangerous. She believed deeply that liberty required constant vigilance, and that ordinary people, especially women, have a role to play in creating ( and maintaining) the nation’s conscience.
It wasn’t until she was 62 in 1790 that Mercy’s name was finally attached to her published material: a book containing 18 new poems and two new plays about the newly formed country. And again she was credited when, in 1805, another book– thirty years in the making– was published: History of the rise, progress and termination of the American Revolution interspersed with biographical, political, and moral observations, by Mrs Mercy Warren of Plymouth.
Mercy Otis Warren survived her husband, beloved brother James, and three of her sons until her own death at 86 on October 19, 1814.
In the following years, Mercy’s name was overshadowed by those of the Founding Fathers, but she is, by any definition, a Founding Mother whose name and contributions need to be remembered.
Mercy Otis Warren bronze statue at Barnstable County Courthouse, Massachusetts.
Registration is now open for our Paris Field Trip, April 24- May 2, 2027! Visit Like Minds Travel for more information and to register!Come With Us To Paris!
Time Travel With The History Chicks
Books!
by Nancy Rubin Stuartby Rosemarie Zagarriby Cokie RobertsSelected letters edited by Jeffrey H. Richards and Sharon M. Harrisby Nancy Robinson MastersBy Carol BerkinBy Dorothy Mays
For kids:
by Gretchen Woelfle and Alexandra Walliner
(Note from Susan: Surely I didn’t dream of the children’s book based on the poem Mercy wrote after the Boston Tea Party…but I am still searching for it. I am not giving up! )
Web!
You can read Mercy’s work and insights into it online on Project Gutenberg, and this article on her play, The Defeat.
There is a quick write-up on her at the Old North Church (you should go there, it’s in Boston and part of the Freedom Trail!)
Speaking of Abigail and Mercy: Brittany Ellis at the University of Mississippi wrote a thesis on Mercy’s use of nicknames, including Portia (Abigail) and Marcia (Mercy.)
Moving Pictures!
There are none! However, we are more than happy to offer up some Mercy intel if there are any scriptwriters out there itching for a conversation about it! Hit us up!
There is a Ken Burns documentary on the American Revolution, and Mercy is voiced by Meryl Streep. Of course it is. It’s an amazing documentary and will give you a very clear understanding of the Revolution: pre, during, and post. At the request of Ken Burns’ team, and with his co-director, we covered one of the other women of the Revolution, Betsy Ambler in episode our #247!
Finally, we would lvoe to travel with you on our 2027 Field Trip to Paris! For more information and to register, visit Like Minds Travel!
Middle music from: Joseph Hyden’s KaiserquartettOpus 76; End song: Freedom, by Torii Wolfe used with permission.
56 Happy Field Trippers at the Glessner House in Chicago
In early June, we embarked on a History Chicks Field Trip to Chicago! It was five days of learning, exploring, history, friendship…and food. We traveled paths of former subjects, saw places where some had worked, stayed in a hotel owned by one, and crammed as many museums (and their gift shops) as possible into our time.
Bertha Palmer wore a lot of hats: Chicago socialite, patron of the arts, real-estate magnate, and all-around Gilded Age powerhouse. Her leadership of the Women’s Building of the 1893 World’s Columbian Exposition drew praise from all over the world. (and criticism, too!) We’ll also tell you about her influence on Impressionist art in America, and her surprising third act as a Sarasota land developer.